8 by 10 Rugs Native American

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Prices are dependent on size, age, tightness of the weave, and intricacy of design. Navajo rugs are so expensive due to their exemplary craftsmanship and use of high quality wool. The tightness of the weaving, size of the rug, dyes used and condition all affect a Navajo rug’s price. Prices for Navajo rugs typically range anywhere from $100 to a few thousand dollars. In the early 1800s Navajo women began to weave chief’s blankets, which were so widely traded that they were worn by Indians from the northern Great Plains to the Mexican border. Although not a badge of chieftainship, these blankets did symbolize power and affluence. The value of a Navajo rug will depend on a few factors, such as how large it is, how old it is, how tight the weaving is, the style, what dyes were used, and what condition it is in. Navajo rugs can range anywhere from $100 for a small one, to several thousand dollars for a large and old one. The only surviving pioneer mill for those blankets is Pendleton Woolen Mills in Pendleton, Oregon. They sell to non-Indians as well, but about half their annual production goes to Indians, particularly Navajos.

Rugs woven here in Ukraine will look like Navajo rugs. The sides selvages contain bundled warps. The ends are hand-sealed. These rugs are flatwoven rugs that have Navajo or southwestern-inspired designs. They are sometimes sold in Indian arts stores as genuine merchandise. These rugs, which take so much time and effort, are usually more expensive than others. The antique Navajo rugs have been woven before the 1950s. They have a hint of history.On the contrary, the current ones are those that have been weaved between 1950-present. The antique ones on the other side are much more expensive. This is why it's best to check with the merchant to see if the rug really is antique. If the rug is genuine, it should be dated before the 1950s.

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Evidence suggests they often were tied to the saddle skirt behind the cantle rather than being placed under the saddle. During the first several decades of the twentieth century, weavers near railroad stops and tourist centers made small, loosely woven, pictorial mats. Now known as Gallup Throws, these inexpensive items were a favorite, easy to transport souvenir among visitors to the southwest. Pictorial and geometric “rugs,” too small for use on the floor and typically made with commercially spun and dyed yarns, remain a staple of the souvenir trade to this day. Weaving techniques in the Rug Period have primarily been limited to the standard tapestry weave which is identical on both sides. (This term should not be confused with “tapestry rugs” from Two Grey Hills.)

8 by 10 Rugs Native American
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The Bisti Navajo rug is the rarest of these Regional rugs, which are often made with more than nine borders. Many Bisti rugs have a thin checkered border. They display definite Oriental influences. Bisti rugs originated in the 1890s at a trading post southwest of Two Grey Hills. In 1896, J.B. Moore purchased the trading post and renamed it, Crystal, after a mountain spring of pure sparkling water.

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Nevertheless, the great variety of interpretations suggests that meanings were assigned by traders and collectors, not by the Navajo themselves. The storm pattern’s precise origin is uncertain-one story suggests it was developed by a trader on the western side of the Reservation-but the weavers at Crystal developed this concept into one of the most popular and lasting of all Navajo rug patterns. Not far from Crystal was the Two Grey Hills trading post, known for weavings in which no dyes were used. Instead, weavers carefully combed and spun different natural colors of yarn to yield a beautiful range of creamy whites, tans, browns, and greys. (To get a solid black color, weavers sometimes would overdye dark brown wool with black dye.)

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Native American history is best told in their art and not through schoolbooks. Textiles make up the majority of this cultural heritage. Like this Navajo chief’s blanket, it tells a story about the Native American community and its spirituality. It also shows how they struggled for survival. This blanket, also called a seripe, was created during the tribe’s internment in eastern New Mexico. It was made in 1865. The bordered design is just as striking as the rich reds used in the weaving. Red was scarce, even for Native Americans. This meant that they had to unroll machine-made rugs, then reweave the thread into new designs.

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From the 1880s through the 1930s, reservation traders were the Navajos’ primary contact with the outside world. As such, they also were the weavers’ primary-or even sole-customers. Therefore traders exercised significant influence on weavings simply by paying more for the designs, sizes, colors, and qualities they wanted. Of course, trader’s choices were driven by what they thought they could sell to their off-reservation customers, but they also were guided by their own aesthetic sensibilities. As a result, distinctive styles of rugs emerged around several trading posts in the first years of the twentieth century. Such combinations of pattern and color are known as Regional Styles and are typically named after the trading post that encouraged their production.

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