Southwestern Style Area Rugs

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The weavers around Two Grey Hills developed very complex geometric patterns, usually based on a large, hooked central diamond with multiple geometric borders. They also were known for very finely spun wool of small diameter which they used to make very thin, dense, and tightly woven rugs that are certainly the greatest technical achievements in the history of Navajo rug making. Many of the women who weave for nearby Taodlena Trading Post carry on this tradition of quality. The most finely woven rugs are often called tapestry rugs. Beginning in the 1920s, weavers and traders developed several new regional styles based on a revival of early banded patterns and the predominant use of vegetal dyes.

You may be curious as to what the value of a Navajo Navajo rug looks like. This is the beauty of handwoven Navajo rugs. But not every authentic Navajo rug will be worth as much. There are many methods to appraise Navajo rugs. You can take it to a museum, have it appraised by a professional, or you can sell it online through sites such as eBay. You can improve the value of your Navajo carpet by restoring it if it is damaged. An appraiser professional can help you evaluate the rug.

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The Third Phase type, between 1860 and 1880, saw the addition of stepped or serrated diamonds of color to the center and ends of the wide stripes. In weavings of the Fourth Phase, made from 1870 through the early 1900s, diamond motifs became larger and more elaborate, often overtaking the stripes as primary design elements. Revivals of chief’s blankets-usually made as rugs-have been popular since the 1950s. A watershed in Navajo weaving came in the 1860s with the incarceration of about 8000 men, women and children at Bosque Redondo reservation in eastern New Mexico.

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This article offers a brief history of Navajo weaving. Learn the history, styles, and terminology of authentic Navajo blankets and rugs in this article by Dr. J. Mark Sublette, CEO of Medicine Man Gallery. In this article, Dr. J. Mark Sublette discusses Navajo rugs from the 1920s to the present day, including history, different kinds of dyes, and regional and trading post styles such as Navajo Crystal, Wide Ruins, Burntwater, and pictorials. This article discusses exemplary authentic Navajo Blankets that were featured in Masterpieces from the Loom, a 2011 exhibit at Medicine Man Gallery. DIscussed are Navajo Chief’s blankets, transitional blankets, Germantown pictorials, and more early Navajo blanket styles.

Southwestern Style Area Rugs

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The Chinle style is the simplest of the 3 styles. There arestrips of plain color alternating with bands containing repeated geometricdesigns. These can include squash blossoms, stacked chevrons, and diamonds, andmay even have railroad tracks. Chinle is in the geographic center of the Reservation andwas thus a crossroad for travel and commerce. The Chinle style came before theother 2 banded styles. This was a revival of the borderless and banded designsof the Early Classic Period of Navajo weaving. Aniline dyes of red and blackare used for highlights. They have muted pastels with natural greys, whites,golds, and greens. Occasionally they may also have bright and bold black,white, and red.

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native american blankets and rugs
native american blankets and rugs

These blankets were highly sought-after trade items by tribes without weaving traditions. Even then, Navajo blankets could be expensive so tribe members with the greatest wealth couldn't afford them. Plains cultures especially valued Navajo blankets because of their warmth, comfort and visual beauty. The blanket design before the features of his face could identify a horseman riding on horseback in one of these weavings. According to Navajo weaving traditions blankets worn by Navajo only existed for 50 years. As affordable blankets like those made by Pendleton Woolen Mills were available, the end of this era was signaled.

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Generally known as Modern Crystal rugs, these borderless patterns often combine vegetal and aniline colors in shades of brown, yellow, and terra cotta with natural greys and whites. This is accomplished by alternating weft threads of two contrasting colors and tightly “battening” or packing them together, giving the effect of a thin, undulating line. Starting in the 1940s, Sally and William Lippincott, owners of the trading post at Wide Ruins, Arizona worked with the weavers in their area to develop highly detailed banded patterns rendered in vegetal dyes. Most Wide Ruins rugs are characterized by very fine, tightly-spun yarns and a flat, even weave. They feature the full range of new vegetal colors including soft green, mauve, terra cotta, and pale purple, pink and blue as well as the more common yellow, gold, brown, and tan.

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